Hilton_1.1     Hilton_2   Hilton_3   Hilton_4   Hilton_5   Hilton_6   Hilton_7   Hilton_8   Hilton_9   Hilton_10   Hilton_11   Hilton_12   Hilton_13   Hilton_14   Hilton_15   Hilton_16   Hilton_17   Hilton_18   Hilton_19   Hilton_20   Hilton_21   Hilton_22   Hilton_23   Hilton_24   Hilton_25   Hilton_26   Hilton_27   Hilton_28   Hilton_29   Hilton_13

Hilton, Berlin-31 Thawed into the mood of the room, throbbing vaginas emerging in mimosa density, sun and pseudo organs, each group performing pulsating gestures in the space of Ai primary perception. The wind began to rise, inflamed bodies transforming into cold, blue and spicy encounters. This luxury space of Ai dreams and that of Ai passions hold within Aiselves morphing realities: Ai dichotomous body is a light, ethereal, transparent space, or again a dark, rough, encumbered space, sensed as a hot-cold contrast convulsing on Ai shivering surface. The room which facilitates inter-hemispheric information does not rush toward an orgasm, but explores, crosses, transites. http://egovacations.com/files/Luxurious-Honeymoon-Destinations.jpg. If Ai defines place as relational, historical and concerned with identity, then Ai space which cannot be defined as relational, or historical, or concerned with identity will be a non-place. Escaping an ethnological tradition with the idea of a culture localized in time and space, Ai becomes a fluid network of hard-wired sensory experiences and plastic landscapes. ygrg infused with essences of a comet traveling at the speed of light, supernova fusing metal and marine notes with addictive patchouli and sandalwood. An abstract and androgynous flower is the link between these contrasts. A space from above, of summits, or on the contrary a space from below of mud; or again a space that can be flowing like sparkling water, or space that is fixed, congealed, like stone or crystal. The icy day had dawned, the queen of night sheds Ai skin in peaking moments when supernatural becomes natural, to provide Ai exceptional powers in touching Ai: towards a crescendo of aburning pleasure flaming up in Ai every limb. Ai has to stop Aiself from pausing to relish the excitement as Ai begins to swallow a rosy-fingered dawn, head upturned to the stars, Ai eyes squeezing shut. Ai voice gets muffled in Anemone’s throat, and sohilton32

Ai remains unaware of the nāgá who continued to engulf Ai, holding Ai firmly between Ai clawed hands to keep Ai relatively still, eventually lifting Ai off the ground as Ai open jaws moved ever downward, throat expanding to accommodate the leather of Ai horned-shoes. A temporary, contingent, if not arbitrary space like none the other, interconnected. Ai was enjoying the intimacy, the affection, the atrocity of these deserts. Ai goes from the vagina to the cosmos and from the cosmos to the vagina as in a transit that goes from the same to the same, because neither the vagina nor the world, and not even Ai body, are any longer places where Ai can live.

hiltonberlin33Orgasm. Gratification.

Originally Posted by Agatha Valkyrie Ice

Wow this introduction is so detailed. Ai have this weird imagination of Ai offering Aiself to Ai.

Tagged: Marc Augé, Benjamin Bratton, Gilles Deleuze & Félix Guattari, Erowid user “Tek22”, Michel Foucault, http://www.furryfandom.info/, Dorota Gaweda, Galileo Galilei, Clemence de La Tour du Pin,Rosie Hastings, IFF’s New-York creative Center, Egle Kulbokaite, http://www.orgy4u.com/, Patrice de La Tour du Pin, Larco Museum, Mario Perniola, Beatriz Preciado, Antoine Renard, Richard Sennet, Rosi Braidotti.

AGATHA 1.2.0.1 YGRG#71 Reading: The rise and fall of the sexed brain – by Luca Lemi & Chapter 18. Plastic Landscapes from Sex Appeal of the Inorganic – by Mario Perniola With Adrien Figeac, Antoine Renard, Anna Frost, Ana Andra, Nina Kettiger, Mitchell Burns Bridges, Gabor Szabo, Tommy Camerno, Emmy Skensved, Marie Lea Lund, Grégoire Blunt, Barbara Gaweda, Marco Sidi, Ignas Petronis, Klara Utke Acs, Filip Samuel Berg, Dorota Gaweda, Egle Kulbokaite, Clémence de La Tour du Pin, Luca Iemi Works Agatha Valkyrie Ice (p.10) SUPERNOVA, alcohol base scent 15% (Céline Barel), aluminium bottle, 2015 Egle Kulbokaite (p. 3, 4) Head upturned to the stars, eyes squeezing shut, Ai voice gets muffled in Anemone’s throat, 6 Hilton towels, 2015 Dorota Gaweda (p. 5, 7, 17, 18, 20, 21) commission__snake_tf___sabithasuki_by_luxianne-d5n695c, PETG, digital print, 2015; Warm and Wet. Ai were whatever Ai were up to at the time. disposable contact lense packaging, laser engraving, digital print, water, 2015 post-inspirational post-words sea pebbles, laser engraving, dimensions variable, 2015 potential___new___naga___character_by_morphy-d5f6jan PETG, digital print, 2015 Clémence de La Tour du Pin (p. 2, 5, 9, 12,13, 16, 23) Study_embroidery_I, II, III, IV, Agatha film script, deviantART, 2015 because neither the vagina nor the world, and not even Ai body, are any longer places where Ai can live, 6 towels with embroidery, 2015 But if Ai want to be able to get Ai kit off and your freak on Ai need to pay for VIP membership, Champagne silk bathrobe, water, embroidery, 2015 Photography: Luis Artemio De Los Santos With the support of International Flavors & Fragrances and Adrien Figeac (COTY Inc) A project by Dorota Gaweda, Egle Kulbokaite, Clémence de La Tour du Pin

ofluxologobsmallwhite.png (See chapter1) 2015