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Submission
APRIL 07, 2026

CHEWING GUM IN THE MOTHERBOARD 

Group exhibition presented by Erratum Projects @LA VOLONTÉ 93, Paris

March 29 – April 19, 2026

CHEWING GUM IN THE MOTHERBOARD, Exhibition view


In an era defined by relentless technological acceleration, Chewing Gum in the Motherboard delves into the psyche of a generation shaped by hyper-connectivity, YouTube-DIY ingenuity, as well as systemic collapse. The title itself offers a poignant metaphor: the humble act of fixing a complex machine with chewing gum — a naïve yet earnest gesture of repair. This symbolic effort highlights both the vulnerability and resilience of human creativity when confronting overwhelming challenges. Choosing the motherboard as a central metaphor elevates this act into a meditation on care and origins: a core structure that is both foundational and fragile, requiring constant attention and reinvention.

The artists in this exhibition respond to the fragmentation of contemporary life through glitched aesthetics, speculative environments, and a fusion of nostalgia with invention. Within the space, these dynamics unfold through systems under tension: a piece of chewing gum placed under surveillance becomes the subject of continuous observation, while another is slowly altered through a controlled process of degradation. Biometric data drawn from an intimate encounter is captured and replayed in loops, translating the body into signal. Elsewhere, a lost hard drive drifts between landfill and digital myth, while generated images, fragments of dreams, and video game aesthetics construct unstable environments populated by residual presences.

Their works unfold as fragile dream constructions — layered, shifting, and often unstable. Interfaces persist but lose their legibility, appearing as remnants of control systems, surrounded by expanding forms that hover between mineral growth and technological extension. Environments assemble from fragments, lived traces, and reconstructed landscapes, while familiar objects — an apple, domestic furniture, a keyboard — are displaced and reimagined as speculative forms or collective structures.

Employing digital imaginaries, modified devices, and underground culture, these creators reveal the contradictions of post-internet life, oscillating between exuberant experimentation and a critical reckoning with a capitalist system that often feels inescapable. This dynamic results in works that refuse binaries — retreat versus resistance, destruction versus creation — embracing instead the chaotic beauty of their in-between spaces. In doing so, Chewing Gum in the Motherboard captures the ethos of a generation that is both burdened by systemic failures and energized by the potential of speculative futures.

CHEWING GUM IN THE MOTHERBOARD, Exhibition view
CHEWING GUM IN THE MOTHERBOARD, Exhibition view
CHEWING GUM IN THE MOTHERBOARD, Exhibition view
CHEWING GUM IN THE MOTHERBOARD, Exhibition view
CHEWING GUM IN THE MOTHERBOARD, Exhibition view
Célia Boulesteix & Florian Gauthiero, DUE (Make a film), 2024, variable dimensions, steel, glass, silicone, spray paint, cotton, resin, electrical cables
Célia Boulesteix & Florian Gauthiero, DUE (Make a film), 2024, variable dimensions, steel, glass, silicone, spray paint, cotton, resin, electrical cables
Jeanne Bekas, while(true), 2024, 60 × 20 × 20 cm, aluminum lights, LEDs, polyester sheets, electronic components
Jeanne Bekas, while(true), 2024, 60 × 20 × 20 cm, aluminum lights, LEDs, polyester sheets, electronic components
Katya Quel, Residual Panel IX, 2026, dimensions variable, wood panels, PMMA, acrylic paint, pigments, mixed media, Katya Quel, Crystal Nodes, 2026, variable dimensions, plaster, crystallized aluminum, cardboard, expanding foam, resin, paint, electronic boards, mixed media
Katya Quel, Crystal Nodes, 2026, variable dimensions, plaster, crystallized aluminum, cardboard, expanding foam, resin, paint, electronic boards, mixed media
Katya Quel, Crystal Nodes, 2026, variable dimensions, plaster, crystallized aluminum, cardboard, expanding foam, resin, paint, electronic boards, mixed media
Katya Quel, Residual Panel IX, 2026, dimensions variable, wood panels, PMMA, acrylic paint, pigments, mixed media
Maëlle Poirier, flower imprint, 2026, 40 × 31 cm, silicone, tracing paper, microbeads, LED, mixed media
Maëlle Poirier, globe de pomme, 2026, 25 × 25 × 25 cm, plastic, tracing paper, motor, Arduino, LED, mixed media
Maëlle Poirier, globe de pomme, 2026, 25 × 25 × 25 cm, plastic, tracing paper, motor, Arduino, LED, mixed media
Max Blotas, VAPE LAGOON, 2021, 15 × 30 × 12 cm, handbag, laser, chewing gum, ultrasonic mist, suspended water, nutrients
Max Blotas, VAPE LAGOON, 2021, 15 × 30 × 12 cm, handbag, laser, chewing gum, ultrasonic mist, suspended water, nutrients
Max Blotas, WILD MOUNTAIN BLUEBERRY ICE, 2025, 40 × 18 × 10 cm, chewing gum, motor, surveillance camera, screen, LED, microcontroller
Morgane Baffier, The story of James Howells, 2025, video, 10 min
Olympe Deboaisne, From Space, Looking at Earth, 2025, video, found footage, sound, 24 min
Olympe Deboaisne, I keep dreaming about…, 2025, 60 × 40 cm, papier mâché
Raphaël Moreira Gonçalves, Henry was moving faaast, 2023–2026, 120 × 30 cm, mixed media, strings, latex, acrylic paint, motors, microcontroller
Raphaël Moreira Gonçalves, Henry was moving faaast, 2023–2026, 120 × 30 cm, mixed media, strings, latex, acrylic paint, motors, microcontroller
Raphaël Moreira Gonçalves, Z_dreams (variation 2), 2023, 50 × 40 × 5 cm, mixed media, clay, AI, acrylic paint
Vincent Aguilera, GENE’ATIC, 2024, 3D animated short film, 5’00
Vincent Aguilera, GENE’ATIC, 2024, 3D animated short film, 5’00
Vincent Aguilera, BIG EYES aka WHEN SHE BREAKS THE PLATES aka KITCHENCEL, 2025, 80 × 70 × 80 cm, 3D print (PLA), acrylic paint, wood, animatronics, Arduino
Vincent Burger, Paradigm Shift, 2023, 200 × 175 × 80 cm, multimedia installation, resin sculpture
Vincent Burger, Paradigm Shift, 2023, 200 × 175 × 80 cm, multimedia installation, resin sculpture
Vincent Burger, Paradigm Shift, 2023, 200 × 175 × 80 cm, multimedia installation, resin sculpture
Vincent Burger, Paradigm Shift, 2023, 200 × 175 × 80 cm, multimedia installation, resin sculpture
Vincent Burger, Paradigm Shift, 2023, 200 × 175 × 80 cm, multimedia installation, resin sculpture
Vincent Burger, Paradigm Shift, 2023, 200 × 175 × 80 cm, multimedia installation, resin sculpture
Vincent Tanguy, Tribune #10, 2024, 44 × 90 × 44 cm, acrylic paint on wood and plaster, copper, plastic tubes, found materials
Vincent Tanguy, Tribune #8, 2024, 35 × 47 × 34 cm, acrylic paint on wood, plaster, brass
Vincent Tanguy, Tribune #12, 2025, 25 × 22 × 20 cm, acrylic paint on plaster and raw earth, found steel

CHEWING GUM IN THE MOTHERBOARD

Group exhibition presented by Erratum Projects at LA VOLONTÉ 93, Paris

March 29 – April 19, 2026

Artists:
Vincent Aguilera,
Jeanne Bekas,
Morgane Baffier,
Max Blotas, 
Célia Boulesteix & Florian Gauthiero,
Vincent Burger, Olympe Deboaisne,
Raphaël Moreira Gonçalves,
Maëlle Poirier,
Katya Quel,
Vincent Tanguy.

Curation: Katya Quel

Exhibition assistance: Olympe Deboaisne

Photography: Misha Gudwin. All images copyright and courtesy of their respective authors, photographers and, where applicable, the gallery.
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