The exhibition engages with the theme of religion, not directly, but through a more speculative lens: in their works, the artists interact with forms and meanings that refer to religiosity either as a search for truths and meanings without confessional affiliation, or as a visual code associated with a particular cultural layer — sorting through these meanings and deconstructing them.

The exhibition raises the question of a new religiosity, in which the boundaries of what can be attributed to religion or spiritual teaching become blurred, and where spiritual, esoteric, confessional, and speculative practices and cultural forms begin to intertwine. Within this field, religiosity ceases to be perceived as a stable system of beliefs and instead becomes a fluid set of gestures, symbols, and individual strategies of search, where personal experience, visual culture, and collective mythologies coexist on equal terms.

Thus, the exhibition considers the religious not as a fixed category, but as an open space of interpretations, in which the sacred can emerge in everyday life, in an artistic gesture, or in an attempt to reassemble the language of faith outside institutional frameworks.

— Misha Gudwin