Fire Sermon

Ashley Bickerton, Lito Kattou, Cole Lu, Christian Quin Newell, Clementine Keith-Roach & Christopher Page, Rachel Rose

Curated by Adriana Blidaru

At Public Gallery, London

October 05 — November 05, 2022

Public Gallery is pleased to present Fire Sermon curated by Adriana Blidaru, a group exhibition of works by Ashley Bickerton, Lito Kattou, Cole Lu, Christian Quin Newell, Clementine Keith-Roach & Christopher Page and Rachel Rose.

 

“The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs have departed.” 1

 

Washing ashore are capsules of human civilization. The sea debris are all but burnt bodies. In deep time, things move in a great migration, swirling, slowly, smoothly: be it trash, eels, or monarch butterflies.

 

Inside, on the walls of the cave, you name the dancing shadows of animals and humans; some speak, some are silent. A delicate prey and a crackling fire put the world in motion.

 

The divine cyclops work relentlessly with fire to bend reflective armours, pitchers and other objects of desire; they melt sand for crystalware and blow eggs of glass to hatch.

 

There were critical questions that we missed together. Where does a landscape begin and where does a body end?

 

A celestial life spills mystery like dark oil: swirling, slowly, smoothly.

 

He goes back to his black forest. Every day he pours his question into her, like his grandfather poured after bucket of water over their burning shed.

 

“What is a normal life?
What is a normal life?”
What is a normal life?” 2

 

She answers: “The great pixelated flames licking across the Earth’s vegetative surface are one with the intimate fire under the cooking pot, one with the flames of Bosch’s hell, one with Prometheus’ theft. The fire in your belly is the ancient food of heroes. Nothing burns like clay.”

1. Eliot, T. S. (2001). The Waste Land (M. North, Ed.). WW Norton.

2. Lu, Cole. Here I go back to my black forest. Every day I poured my question into her, like my grandfather poured bucket after bucket of water over our burning shed. What is a normal life? What is a normal life? What is a normal life?. 2022. Chapter, New York

— Public Gallery

Fire Sermon, Public Gallery, London, 2022
Fire Sermon, Public Gallery, London, 2022
Fire Sermon, Public Gallery, London, 2022
Lito Kattou, Body VII, 2020, Aluminum, permanent ink, electroformed copper, nickel, 191 × 148 × 0.5 cm. Courtesy of the Artist and Galeria Duarte Sequeira, Braga
Lito Kattou, Body VII, 2020, Aluminum, permanent ink, electroformed copper, nickel, 191 × 148 × 0.5 cm. Courtesy of the Artist and Galeria Duarte Sequeira, Braga
Rachel Rose, Egg, 2018, Clear resin, 27.6 × 34.9 × 27.6 cm. Courtesy of the artist and Pilar Corrias
Fire Sermon, Public Gallery, London, 2022
Lito Kattou, Body V, 2020, Aluminum, permanent ink, copper and nickel plated flowers, 231 × 167 × 11 cm. Courtesy of the Artist and Galeria Duarte Sequeira, Braga
Lito Kattou, Body V, 2020, Aluminum, permanent ink, copper and nickel plated flowers, 231 × 167 × 11 cm. Courtesy of the Artist and Galeria Duarte Sequeira, Braga
Rachel Rose, North Salem Moon (1993), 2022, Pigment print on Photo Rag Baryta, 146.5 × 99.5 × 4 cm. Courtesy of the artist and Pilar Corrias
Rachel Rose, North Salem Moon (1993), 2022, Pigment print on Photo Rag Baryta, 146.5 × 99.5 × 4 cm. Courtesy of the artist and Pilar Corrias
Fire Sermon, Public Gallery, London, 2022
Fire Sermon, Public Gallery, London, 2022
Fire Sermon, Public Gallery, London, 2022
Christian Quin Newell, Forgetfulness and the act of returning_ Part I, 2022, Charcoal, acrylic, oil on canvas, 170 × 120 × 6 cm
Christian Quin Newell, Forgetfulness and the act of returning_ Part I, 2022, Charcoal, acrylic, oil on canvas, 170 × 120 × 6 cm
Fire Sermon, Public Gallery, London, 2022
Cole Lu On, the seventeen-day he awoke..., 2021, Burnt hardboard, silver plate, stereoscope, stereo card, marble, metal, concrete, 122 × 32.5 × 48.7 cm. Courtesy the artist and Chapter NY
Cole Lu On, the seventeen-day he awoke..., 2021, Burnt hardboard, silver plate, stereoscope, stereo card, marble, metal, concrete, 122 × 32.5 × 48.7 cm. Courtesy the artist and Chapter NY
Cole Lu On, the seventeen-day he awoke..., 2021, Burnt hardboard, silver plate, stereoscope, stereo card, marble, metal, concrete, 122 × 32.5 × 48.7 cm. Courtesy the artist and Chapter NY
Fire Sermon, Public Gallery, London, 2022
Fire Sermon, Public Gallery, London, 2022
Cole Lu Here, I go back to my black forest..., 2022, Burnt birch, 35.6 × 27.9 × 3.8 cm. Courtesy of the artist and Chapter NY
Cole Lu Here, I go back to my black forest..., 2022, Burnt birch, 35.6 × 27.9 × 3.8 cm. Courtesy of the artist and Chapter NY
Fire Sermon, Public Gallery, London, 2022
Christian Quin Newell, Energy conversion box, 2022, Charcoal, acrylic, oil on canvas, 30 × 40 × 3.5 cm
Christian Quin Newell, Energy conversion box, 2022, Charcoal, acrylic, oil on canvas, 30 × 40 × 3.5 cm
Fire Sermon, Public Gallery, London, 2022
Fire Sermon, Public Gallery, London, 2022
Fire Sermon, Public Gallery, London, 2022
Clementine Keith-Roach, Lake, 2021, Terracotta vessel, plaster, resin clay, modelling paste, acrylic paint and resin, 36 x 72 x 49 cm. Private Collection, UK. Courtesy Ben Hunter and the artist(1)
Clementine Keith-Roach, Lake, 2021, Terracotta vessel, plaster, resin clay, modelling paste, acrylic paint and resin, 36 x 72 x 49 cm. Private Collection, UK. Courtesy Ben Hunter and the artist(1)
Fire Sermon, Public Gallery, London, 2022
Clementine Keith-Roach and Christopher Page, Hearth, 2022, Jesmonite, steel and wood armature, 135 x 145 x 32 cm. Courtesy the artists and Ben Hunter
Clementine Keith-Roach and Christopher Page, Hearth, 2022, Jesmonite, steel and wood armature, 135 x 145 x 32 cm. Courtesy the artists and Ben Hunter
Fire Sermon, Public Gallery, London, 2022
Ashley Bickerton, Small Flotsam_ Mermaid #7, 2020, Acrylic, small flotsam on canvas board with plywood and laminate, 59.7 × 78.7 × 14 cm. Courtesy Gagosian Gallery. © Ashley Bickerton
Ashley Bickerton, Small Flotsam_ Mermaid #7, 2020, Acrylic, small flotsam on canvas board with plywood and laminate, 59.7 × 78.7 × 14 cm. Courtesy Gagosian Gallery. © Ashley Bickerton
Fire Sermon, Public Gallery, London, 2022
Fire Sermon, Public Gallery, London, 2022
Rachel Rose, Colore (1845), 2022, Color pigment, metallic powders, giclée print of Francis Danby’s Hampstead Heath, Sunset ca. 1845, 54.9 × 65.1 × 2.5 cm. Courtesy of the artist and Pilar Corrias
Rachel Rose, Colore (1845), 2022, Color pigment, metallic powders, giclée print of Francis Danby’s Hampstead Heath, Sunset ca. 1845, 54.9 × 65.1 × 2.5 cm. Courtesy of the artist and Pilar Corrias
Fire Sermon, Public Gallery, London, 2022

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