Headspace drifts through a zone where objects hover between formation and fixation. Rendered in a subdued, universal grey, the works borrow from the spatial logic of modeling software and speculative environments, gesturing toward architectures not yet fully settled. Desires will be looked at in the gaps between surface and suggestion, scaffold and skin, objects and objectification.

In an age where erotic experience is increasingly abstracted – filtered through simulation, language, and symbolic systems – Headspace reflects on how fetishism operates not just in the realm of fantasy, but as a mechanism of cultural organisation, where power, projection, and desire are embedded into form. The work also gestures toward the transformative potential of eroticism – its ability to vibrate the surface of the real, to destabilize fixed meaning, and to open portals into altered symbolic and affective states.