Nueva Sangre was born in my studio in the South of France ( Nice), housed in former slaughterhouses that still bear traces of their past. The project forms part of a series of anarchic moments—instal- lations that move from studios to wastelands, inhabiting spaces rather than transforming them, coexisting with their painful or trans- gressive histories. It challenges the idea of traditional exhibition: what does it mean to expose oneself, to show only our best? Here, exposure is about pre- sence—creating unplanned, sensitive mo- ments where life and art blend. Rather than neutral, contextless spaces, Nue- va Sangre seeks disused places to engage with—a walk through forgotten corners, a dia- logue with their silent layers. The floral sculp- tures, like invasive plants, spread organically, bringing new life and meaning to abandoned spaces. They embody pain and joy, offering a quiet rebirth—new blood, a new germ of being. How do we exist in these fragile in-betweens? How do we grow discreetly, placing epheme- ral traces where the human hand has been too harsh?

— Flower blowing mind