OH OMEN presents a landscape suspended between timelines. Cracked cocoon forms suggest emergence, escape, or remnants of something from the past. The exhibition moves through states of transformation—moments where structures hold tension, release, and aftermath. The idea of shelter is central: not as enclosure, but as porous support. These forms offer rest without permanence, protection without closure. There’s no clear origin or end. What appears organic feels engineered, what seems futuristic echoes something ancient. Subtle pulses of light interrupt the stillness, like quiet signals from a foreign language.