O FLUXO   About   Exclusives    Submit    Shoppe   IG

Submission
September 13, 2025

Promises

Lukas Malte Hoffmann @Sinne, Helsinki
August 30 — October 19, 2025

INSTALLATION VIEW, PROMISES, LUKAS MALTE HOFFMANN © SINNE, HELSINKI, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS

In this exhibition, Lukas Malte Hoffmann has worked with promises as his thematic starting point. The sculptural entity constitutes a personal task in which Hoffmann focuses on the unwritten, yet fundamental forces that guide him in his everyday life and work. He puts the spotlight on promises as turning points or milestones in life. Hoffmann has thought about how the promises that we make occasionally become visible and accessible, only to become invisible once again. One idea underpinning the exhibition is how promises can also be embodied in objects, which can then give direction and meaning.

The exhibition consists of settings for these objects and the associated promises. Hoffmann works with a variety of materials, including metal, textiles, and rope that he has made himself. The material qualities play a central role in each individual work, while the overall look of the exhibition has been inspired by playful, graphical lines. These sculptures have the two-dimensionality of a picture, while their contour lines and flat surfaces also have spatial qualities.

A common way to talk about the future is through theories, estimates, forecasts and probability calculations, so that, with the knowledge and experience that we have accumulated, we can technically create an idea of what is to come. But, when we are dreaming of future paths that we might take to strengthen our social bonds and human communities, promises play a key role. Hoffmann points to the way that promises are deeply rooted in us as individuals; in our identities and emotional lives. We use them to bind ourselves to events and processes that have already happened, are ongoing, or that can or will happen.

The artworks in the exhibition are optimistic, and depict states and visions that take place over time. Hoffmann looks both backwards and forwards in time simultaneously, focusing on things that he holds – and has held – near and dear. The work It lasts forever and then it’s over, a small heart made of metal, has first been given its finished form and then split in its parts, and, finally, it has been loosely laced together with rope. Inevitably, this puts our promises to the test, and so it is important that we are able to look back on ourselves with empathy and affection. Connecting with our own and others’ innermost dreams helps us to face up to and navigate on an emotional level, and to listen to what drives us as individuals, not just in joy, but also in sadness. Some promises endure and live on amid change, while others stagnate, peter out, and come to an end. The one constant in life is time and the way that it advances beyond reach of our reason. Nevertheless, being sensitive to the emotions that exist in close contact with our promises can sustain us, not just in ourselves, but in a community where we can rely on and trust one another.

– Markus Åström

INSTALLATION VIEW, PROMISES, LUKAS MALTE HOFFMANN © SINNE, HELSINKI, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
INSTALLATION VIEW, PROMISES, LUKAS MALTE HOFFMANN © SINNE, HELSINKI, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
GRADUALLY, MORE LIGHT SEEPS IN, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
GRADUALLY, MORE LIGHT SEEPS IN, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
GRADUALLY, MORE LIGHT SEEPS IN, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
WHEN YOU HAVE ARRIVED AT THE THING ITSELF, THEN ALL YOU CAN DO IS COMPARE IT TO SOMETHING ELSE YOU DON’T UNDERSTAND. A ROCK. A CROW. THE ONLY THINGS THAT REMAIN THEMSELVES ARE THE ONES YOU CAN NEVER REACH. THE THINGS THAT ARE TOO BIG OR TOO FAR AWAY OR MOVE TOO SLOWLY TO DETECT. SMOOTH. FEATHERED. LOVED. ALREADY LOST. THEY WILL ALWAYS BE ONLY WHAT THEY REALLY ARE, AND YOU WILL NEVER KNOW WHAT NAME TO CALL OUT TO THEM. 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
IT'S WHAT TELLS YOU THAT YOU ARE REALLY MOST AT HOME IN YOURSELF WHEN YOU ARE BATHED BY EMOTIONS YOU CAN ALWAYS RECOGNIZE, AND THAT WHATEVER DISSONANCE YOU SENSE IS NOT THE REAL, BUT AN ACCIDENT THAT YOU HAVE TO CLEAN UP AFTER, WHICH WILL BE MORE PLEASANT IF YOU WHISTLE WHILE YOU WORK, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
INSTALLATION VIEW, PROMISES, LUKAS MALTE HOFFMANN © SINNE, HELSINKI, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
IT LASTS FOREVER AND THEN IT’S OVER, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
IT LASTS FOREVER AND THEN IT’S OVER, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
IT LASTS FOREVER AND THEN IT’S OVER, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
I DON’T MISS MY NAME AND I HAVEN’T BOTHERED TO REPLACE IT, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
I DON’T MISS MY NAME AND I HAVEN’T BOTHERED TO REPLACE IT, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
INSTALLATION VIEW, PROMISES, LUKAS MALTE HOFFMANN © SINNE, HELSINKI, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
IT'S WHAT TELLS YOU THAT YOU ARE REALLY MOST AT HOME IN YOURSELF WHEN YOU ARE BATHED BY EMOTIONS YOU CAN ALWAYS RECOGNIZE, AND THAT WHATEVER DISSONANCE YOU SENSE IS NOT THE REAL, BUT AN ACCIDENT THAT YOU HAVE TO CLEAN UP AFTER, WHICH WILL BE MORE PLEASANT IF YOU WHISTLE WHILE YOU WORK, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
IT'S WHAT TELLS YOU THAT YOU ARE REALLY MOST AT HOME IN YOURSELF WHEN YOU ARE BATHED BY EMOTIONS YOU CAN ALWAYS RECOGNIZE, AND THAT WHATEVER DISSONANCE YOU SENSE IS NOT THE REAL, BUT AN ACCIDENT THAT YOU HAVE TO CLEAN UP AFTER, WHICH WILL BE MORE PLEASANT IF YOU WHISTLE WHILE YOU WORK, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
2025, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
2025, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
P FUER PAPA, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
P FUER PAPA, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
P FUER PAPA, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
P FUER PAPA, 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
DON’T IT FILL NO EXPECTATION BETTER THAN THE THOUGHTS THAT YOU CONCEIVE (PROMISES, PROMISES, PROMISES THAT’S WHAT YOU KNOW), 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS
DON’T IT FILL NO EXPECTATION BETTER THAN THE THOUGHTS THAT YOU CONCEIVE (PROMISES, PROMISES, PROMISES THAT’S WHAT YOU KNOW), 2025, CREDIT: AHMED ALALOUSI, PRO ARTIBUS

Promises
Lukas Malte Hoffmann

Sinne, Helsinki
August 30 — October 19, 2025

Curation and text: Markus Åström.

Photography: Ahmed Alalousi, Pro Artibus/ All images copyright and courtesy of the artist and the gallery.

O FLUXO is an online platform for contemporary art.
EST. Lisbon 2010

O FLUXO
© 2025