By creating a model of reality, we initiate an epistemological operation: the model or mock-up creates a new framework for observation in which the structures of the world can be examined, manipulated, and imagined in alternative configurations. In this sense, the model resembles a diagram–an abstract form that, in addition to mere representation, is a generative tool enabling the creation of new ones. Construction is a game in which it is possible to let the familiar emerge in a different material form, according to different rules, thus creating surprising conditions in which the world can become conceivable. Miniaturization does not mean merely reducing the size of an object, but intensifying it.

All the works are connected by the illusion of closed, efficient orders, and we can jump between them at will, as if shifting the scale of the scheme.

The Remote Effect exhibition presents a disproportionate landscape, a simulated experiment that allows objects and processes to exist according to their own logic.

— Agáta Hošnová & Karolína Voleská