Yawn holding fields

Indrikis Gelzis

At Tatjana Pieters gallery, Ghent, Belgium

March 12 – April 17, 2022

Photography by Dirk Pauwels

Yawning is a mostly an involuntary reflex: the mouth is wide open, the lungs take in a lot of air. A slow exhale follows. Meanwhile, the eardrums crackle and, for a moment, a tear blurs the vision while the eyes are half-closed. The hypothalamus, which is hidden under the thalamus just above the brainstem, plays an important role in the process of yawning. Various neurotransmitters, such as dopamine, as well as neuropeptides, induce yawning. Perhaps, however, Edvard Munch’s Scream, the eardrums crackling painfully and clutching his ears with hands, is a deep and magnetic chest-filling breath that turns into a deep yawn inhaling emptiness.

As an instrumental figure of false facts and intimidation tactics, causing confusion about the actual circumstances, Slavoj Žižek’s words keep repeating in my head about the human subject as a unique tear in the fabric of the universe, a case in which something has gone terribly wrong. According to him, the appearance of the human subject is an ontological catastrophe. Since the beginning of 2020, when the world was hit by a wave of the pandemic, we have experienced physical distancing and social isolation, integrating humanity as a more permanent player in cyberspace. Information flow has never before been more sensitive, with data running through the earth’s crust, through urban and rural buildings, stretching along highways, flowing through the air and connecting not only the sky to the earth but also people’s minds through various technological devices. An error in the factual information leaks like black ink into the water. Transparency disappears with every drop of ink in it: the potential for misinformation and disorientation takes hold.

Compared to the chest of a body or, more precisely, the parameters of the respiratory system, there is no capacity for the information world and cyberspace. The yawn of the information flow is infinite and ceaseless, with an inability to reach the desired dopamine mark. Whether it is a scream full of anxiety and despair or a heavy black yawn full of fatigue, in this case, it does not matter. The figure, which is exposed and connected to the nerves of information, is what matters.

Information wires turn into blood vessels.
Blood vessels turn into information wires.

—  Tatjana Pieters

Installation View, Indrikis Gelzis, Yawn holding fields, Tatjana Pieters gallery
Limbs between non-stepping stairs Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Low hanging 4 Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Installation View, Indrikis Gelzis, Yawn holding fields, Tatjana Pieters gallery
Vertical sea of false gestures Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Vertical sea of false gestures Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Installation View, Indrikis Gelzis, Yawn holding fields, Tatjana Pieters gallery
Screaming throat Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Screaming throat Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
False self Steel, textile, MDF, veneer, metal primer, varnish 220cm x 160cm x 90cm 2022
Installation View, Indrikis Gelzis, Yawn holding fields, Tatjana Pieters gallery
Installation View, Indrikis Gelzis, Yawn holding fields, Tatjana Pieters gallery
Office of the sunrise Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Office of the sunrise Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Unknown developers Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022Unknown developers Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Installation View, Indrikis Gelzis, Yawn holding fields, Tatjana Pieters gallery
Installation View, Indrikis Gelzis, Yawn holding fields, Tatjana Pieters gallery
Mealy mouth Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Mealy mouth Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Installation View, Indrikis Gelzis, Yawn holding fields, Tatjana Pieters gallery
Horizontal sea of false gestures Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Soft cage Steel, textile, MDF, veneer, metal primer, varnish 230cm x 110cm x 100cm 2022
Soft cage Steel, textile, MDF, veneer, metal primer, varnish 230cm x 110cm x 100cm 2022
Installation View, Indrikis Gelzis, Yawn holding fields, Tatjana Pieters gallery
Seated solitude Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Installation View, Indrikis Gelzis, Yawn holding fields, Tatjana Pieters gallery
Unconscious mind in the office island Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Installation View, Indrikis Gelzis, Yawn holding fields, Tatjana Pieters gallery
Unconscious mind in a lonely place Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
A breaths chance in a wind Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Installation View, Indrikis Gelzis, Yawn holding fields, Tatjana Pieters gallery
A breaths chance in a wind Steel, textile, MDF, veneer, metal primer, varnish 200cm x 150cm x 30cm 2022
Maps in the limbs Stainless steel 42cm x 28cm x 3cm 2022
Limbs in the maps Stainless steel 42cm x 28cm x 3cm 2022
Maps in the limbs Stainless steel 42cm x 28cm x 3cm 2022
Limbs in the maps Stainless steel 42cm x 28cm x 3cm 2022